ABOUT US

Patrick Tan.


Patrick Tan prides himself in being honorable in both business and relationships, hence his trademark motto of ‘all it takes is a simple handshake in business’. His long relationship with his business associates is a testament of his belief. To date, Patrick has developed a wide network of business contacts, customers and friends from the region and internationally through his Tahitian Pearl business. Coming full circle, it was in fact such ‘handshake’ relationships that allowed him to start his own business in the Tahitian Pearls back in the late 1980’s.

Patrick first encountered the Tahitian pearl during a visit to French Polynesia in 1988. He was charmed by the culture and kindness of the people, and the natural beauty of the black pearl that he decided to start his own business in this line. His journey into the Tahitian pearl business began with a friend’s introduction of Aline Baldassari Bernard (currently the President of the Tahitian Pearl Association of French Polynesia since May 2014) during an auction in Papeete, Tahiti. Aline was with S.C.E.A of Maori Perles at that time, a company that progressed to become the second largest producer of Tahitian pearls during the 1990s and the main supplier to Patrick and the Japanese pearl manufacturers he represented. That personal friendship remains till today even though business relations ended in 2005. At the same time, Patrick had the opportunity to meet Mr Kayuza Okuda, President of Okuda Pearl Trading in Tahiti and a business friendship was forged with a handshake. Patrick primarily represented Okuda Pearl, a major manufacturer of Akoya and Tahitian pearls in the 1990s, and acquired pearls from various Tahitian pearl producers for them. At its peak, Okuda Pearl Trading was manufacturing between nine to ten thousand strands of Tahitian pearl necklaces a year, probably the most in Japan at that time. Today they still sell to some of the top retail jewelers around the World. Eventually, Patrick was able to meet the ‘Pearl Emperor’ himself, Mr Robert Wan.

Patrick collaborates with RWAN and organized three private exhibitions in Singapore with them so far. The premiere event was in 2008 where RWAN held a private exhibition at the Shangri-la Hotel Singapore with a Private Banking group based in Singapore. Subsequently two events were also organized with an up-market magazine brand in Sentosa Cove in 2010 & 2012. This collaboration offered Patrick the opportunity to sell some of the most unique and beautiful Tahitian pearls in the world from the ‘Pearl Emperor’. Today, Patrick holds some of Robert Wan’s unique and finest collection in Singapore, especially pearls from the island of Marutea Sud. The pearls from this island are easily distinguished from all other Tahitian pearls. They are unique with in terms of the powerful combination of bigger sizes and superior lustre.

Today, Patrick focuses much less on the wholesale manufacturing business but instead provides a premium service to source for bespoke Tahitian pearls and sell directly to end clients – the very people who would wear and treasure his beautifully alluring pearls. Indeed, Patrick’s great passion for Tahitian pearls can be seen in how he speaks of them and his knowledge and network with the Tahitian pearl farmers is a fountain of wealth for pearl lovers and aspiring pearl owners alike.

Press: Sunday Plus 1996.


When Mr Patrick Tan’s fire-fighting systems installation business got burnt by recession, he flew off on a much-needed holiday in Tahiti in April 1988. There, amidst the fabled beauty of the South Pacific, the clouds of gloom parted to reveal the proverbial rainbow opportunity. A friend who lived there introduced him to some black pearl farmers, who later appointed him the agent for their lucrative business with Japan. So he gave up his former line and dived into the pearl business.
Today, Mr Tan, 40 sells up to 200,000 black pearls a year for two wholesalers in Japan and commutes between Singapore and Tahiti. He declines to disclose exactly how much money that added up to for his business, but he drives a Jaguar, a car that does not come cheap. He certainly agrees with Senior Minister Lee Kuan Yew, who had said at Singapore Press Club and Foreign Correspondents Association dinner talk last month that the rainbow of opportunities for young Singaporeans lie abroad in East Asia.

Although Mr Tan found his a bit further east and farther out, he echoes that advice: “Go for it. As the saying goes, nothing ventured, nothing gained. Just persevere in your dream and you can find your pot of gold, though not necessarily in Tahiti.” He claims to be one of the few Singaporeans dealing directly with the second and third largest producers there. “Luck and timing are very important to be successful in business,” he says, as he fingered his lucky mascot – a black pearl pendant dangling from a gold chain around his neck. The pearls are produced by the black lipped oyster, which shelters in pure waters of Polynesian lagoons. A nucleus or part of a shell is inserted into an oyster as an irritant and the pearl then takes 18-24 months to grow. Though called black pearls, they actually range in colour from peacock green to silver-grey and dark purple, says Mr Tan. Some of them even reflect light with a rainbow like effect. Getting started selling them to Japanese took more than just lucky rainbows, however. It took persistence, hard work, a lot of research into the black pearl business and countless faxes in Japan and Tahiti.

“I finally got their business with just a handshake. There was no need for contracts,” he says. “Now they have become more like friends than business associates. “In 1989, I sold my first consignment of 4000-5000 pearls, worth over $300,000, to Japan and started making money immediately,” he recalls. That year, he also switched to representing the Japanes black pearl wholesalers, and has been the agent for two of them since then.

Now, he and his Japanese associates are planning to set up shop to sell Tahitian pearls here next year. “Prices are not becoming more affordable for Singaporeans, due to increased pearl production, and the affluent can afford them easily,” he says. Still, they are not cheap. A single black pearl costs anything from US$200 (S$282) to US$10,000,depending on the size and quality, while a pearl necklace can cost from US$20,000 to US$100,000 or more. The way to judge their quality is by their smoothness of the skin and the brilliance and lustre, says Mr Tan. Mr Tan, who has a daughter, Eliana, 13 and son Lance, nine, here spends half of each year in Tahiti and is away for three to four weeks each trip. But he enjoys the best of both worlds. “I relax when I am in Tahiti and get revitalized for the rat race here,” he says. He has also realized the Tahitian Dream, as well as the Singaporean one. He says: “It is not the five Cs – cash, condo, car, credit card and country club membership – but the five Ss – sand, sun, surf, scuba diving and skiing.”

Miracle of the Sea.


Tahiti must be a nice place to watch the sunrise and sunset. Twice a day every day, the entire sky is painted with hues of fiery red to the softest pink, splashed across a giant canvas of sleepy blues and turquoise glows. And the colours change with each second as if the sky is a magical silk cloth with millions of ethereal prisms reflecting the sunlight while our world rotates around us. As the sky continues to astound its audience with its spectacular show, the silent sea reflects the glory of the moment and below the sea, a miracle is happening. I’ve never been to Tahiti but my friend PT has. That’s how he described the Polynesian island while I can only imagine and try to write about it in the most romantic poetic way.

Most people who have been to Tahiti, have been there once. PT has been there countless times, travelling thousands of miles from Singapore to be back where the miracles of the sea are found – the Tahitian Black Pearls. Actually the pearls are not black like one solid colour. These pearls have a multitude of colours -dark as charcoal, reflective as silver and green like peacock feathers, making every single pearl unique. It is this uniqueness that makes the south sea pearls extremely rare and highly sought after. PT knows everything about the Tahitian pearls but he didn’t before until he went to Tahiti for a holiday. He told me an incredible story about how he discovered a whole new world of pearl farming. His interest and an astute sense for exquisiteness turned into a business supplying the exotic pearls to the most fascinating people around the world. I asked PT why anyone would want to invest in black pearls. He didn’t have to say very much, just showed the pearls and I understood. Each pearl is as lustrous as a Tahitian sunrise or sunset. It seems to hold all the wonders of a perfect day and a flawless world. Harvested from sapphire waters without changing very much of its appearance, it feels good to wear something so natural and pure. Oh! How I wish I could afford them…

HISTORY

History.

Today, all pearls found in the market are called ‘cultured pearls’. These differ from natural pearls due to a foreign body being introduced into the oyster to make up the nucleus of the future pearl during the grafting process. Only an X-ray can distinguish a natural pearl from a cultured pearl. Pearl farming to produce cultured pearls began in the early 1960s. Jean-Marie Domard was the first man to ever experiment with pearl farming. Following in the tradition of Mikimoto, the inventor of pearl farming, he started experimenting with Pinctada Margaritafera using Japanese culturing techniques. Pinctada Margaritafera is the oyster that produces the black pearl.

In 1965, after a couple years of failed attempts, he finally succeeded in producing roughly 1000 high quality black pearls. This was the product of nucleating 5000 oysters and waiting three years for the harvest. The harvest motivated both the Tahitian government and the private sector resulting in the first farm being established in Hikueru while the second one in Bora-Bora. The Pinctada Margaritafera is indigenous to Tahiti and the surrounding islands. The oyster is also commonly referred to as the black lipped oyster due to the edges of the inner valves being very dark or even black. Although the oyster is smaller than other oysters, such as the South Sea Oyster, it is still able to grow to a large size and thus produce large pearls. The average size of the oyster ranges from 12-15mm while the pearls that are produced range from 8-18mm and can be even larger in rare cases. Two to three years after grafting, the oysters that survived are ready to be harvested. Only 5% of the pearls produced are round and an even smaller percentage possess the traits to be certified as gem quality.

Rarity.

A single strand of 27 Tahitian cultured pearls ranging in size from 13.5 mm to 17.9 mm was sold at an auction by Sotheby’s New York in 1990 for $797,500. The necklace did have some diamonds in it. In 1988, Sotheby’s sold another single strand of 31 pearls in graduated sizes from 11.2 mm to 14.1mm in a rare green coloration of Tahitian  Pearls, for $159,500. And at Christie’s New York, a three-strand necklace of 37, 39 and 43 matched, round Tahitian, measuring 12.0 mm to 15.2 mm, went for $880,000.  “The highest price achieved at auction for a Tahitian cultured pearl necklace was US$880,000 for a three-strand necklace comprising 119 pearls measuring from 12 to 15.2 millimetres,” says Christie’s New York head of Jewelry, Rahul Kadakia, about the Christie’s sale in October 1989. In Geneva in 2005, a single strand of 49 natural black pearls measuring from 8.25 to 16.3 millimetres went for roughly €1.1 million. In truth, there is no internationally recognized grading system for pearls. The fact is that there is no standardized criteria. One dealer’s “Triple A” quality might be someone else’s grade “B.”

That means two things:
* You should have a genuine sense of trust in the people from whom you are buying.
* You should take steps to increase your knowledge so you can make informed decisions.

Size of Necklaces

Pearl Collar Necklaces

12 to 13 inches long

Pearl collars are usually made up of three or more pearl strands and lie snugly on the middle of the neck. Very Victorian and luxurious, pearl collars go best with elegant V-neck, boat neck or off the shoulder fashions.

Pearl Choker  Necklaces

14 to 16 inches long

A pearl choker is perhaps the most classic and yet versatile of all the single strand pearl lengths. A simple pearl choker can go with virtually any outfit from casual to fancy evening wear, and just about any neckline imaginable. A 16 inch pearl choker necklace is the most popular length for pearl necklaces.

Pearl Princess Necklaces 

17 to 19 inches long

The princess length pearl necklace is best suited for crew and high necklines. It also compliments low plunging necklines. It’s perfect support for a pendant or pearl enhancer. An 18 inches pearl princess necklaces is the second most popular length for pearl necklaces.

Pearl Matinee Necklaces

20 to 24 inches long

Longer than the pearl princess necklace, and just a bit shorter than an opera length pearl necklace, the matinee pearl necklace is the right choice for casual or business dress.

Pearl Opera Necklaces

28 to 34 inches long

The pearl opera necklace is the queen of all lengths. When worn as a single pearl strand, it is refined and perfect for high or crew necklines. When doubled upon itself, it serves as a versatile two strand pearl choker.

Pearl Rope Necklaces

Over 45 long

Dripping with elegance and sensuously sexy, the pearl rope was a favorite of Coco Chanel. For those looking for the complete pearl wardrobe, this length is a must.

Frequently Asked Questions

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Yes and no. It is naturally cultured with man intervening in the place of nature. Strictly speaking, natural pearls are those created without any human intervention, as officially defined by the International Confederation of Jewelery, Silverware, Diamonds, Pearls and Stones (CIBJO).

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Because it is created in the womb of the special black-lipped mollusk found in French Polynesian waters known as the “Pinctada Margaritifera”, or black-lip mother-of-pearl, for short. This mollusk naturally secretes a black pigment, which, depending on the quantity, gives the resulting pearl a basic color ranging from black to gray.

Pearls Production Pyramid

The Surface Quality & Category Top Gem

This is determined by observing the special features of the pearls surface and its lustre. Surface feature is measured according to the importance of the surface, smooth and without imperfection. Also some imperfections can be seen on the surface of the pearl, such as: punctures, streaks, stripes, cracks, holes, organic deposits, calcite deposits or devitalised areas; are considered to be any flaw in the nacre that is visible to the naked eye such as pits, bumps, scratches, deposits, ridges and cracks. Lustre is evaluated according to the reflection of the light on the pearlʼ’s surface. The brighter is the reflection, the higher is the lustre. Hence, a good lustre corresponds to a total reflection of the light, creating a mirror effect. A pearl without lustre corresponds to a dull aspect of its surface. A Top gem pearl, is one with a high lustre, and a flawless surface. When harvesting pearls, the pearl farmer performs an initial sorting of this crop, discarding all the rejects. He then performs a more detailed separation of his crop sorting out pearls by size, shape and category.

Tahiti Cultured Pearlʼs diameter is expressed in millimeters, rounded to the inferior unity.
 
Tahiti Cultured Pearlʼs weight is measured in grams.
 

Tahiti Cultured Pearlʼs shapes are classified as follows: Round, Semi-round, Drop, Button, Semi-baroque , Baroque, Circled

The main colour of the pearl must be as homogenous as possible. Generally a pearl has one or several colour hues. Color, the range of pearl necklaces or pearl pairing, enabling a subjective evaluation of the Tahitian cultured pearl enable a subjective assessment of the Tahitian cultured pearl.
 
Round pearls (R) are almost-perfect spheres whose diameter variation rate is less than 2% of the smallest diameter.
 
Semi-round pearls (SR) are slightly imperfect sphe- res whose diameter variation rate is greater than 2% but less than 5% of the smallest diameter.
 
Drop or pear pearl (DR), oval (OV), presenting at least one axis of symmetry.
 
Button pearl (BT), presenting at least one axis of symmetry.
 
Semi-baroque pearls (SB), in a strict sense, presenting at least one axis of revolution.
 
Baroque pearls (BQ) are characterised by irregular shapes.
 
The ringed or circled pearl (CL) has at least one con- centric ring or circle, in the shape of a streak or con- cave ring, located beyond the upper or lower third part of the surface of the pearl, whatever its original shape. When the ring(s) is/are located in the upper or lower third part of the pearl, the pearl is classified in the category of its original shape without taking into account the ring(s). The same applies for diametri- cally opposed rings, which do not occupy more than one third of the surface of the pearl.

The Tahitian Pearls, also known as Queen of Pearls are considered one of the most precious and exquisite gems in the world. Though described as ‘black’, Tahitian pearls possess a spectrum of stunning colours ranging from peacock green, deep blue, grey, copper, aubergine and in exceptional cases, white. These pearls are cultured in the pristine warm lagoons of French Polynesia in South Pacific. Every pearl is unique and it takes a large number of oysters to produce a small selection of the finest quality. A single string of pearls requires thousands of individual pearls to be carefully scrutinized for shape, size, colour and luster in order to create a necklace such as this presented. The Tahitian Pearls are indeed the rarest and most valuable pieces of jewelry that add to the charm, dignity and sophistication on the privileged lady wearing them.

An “A category”, is a flawless pearl on at least 90% of its surface and on the missing 10%, the pearl may have some slight concentrated imperfections. The pearl has at least a very high lustre.

A “B category”, is a flawless pearl on at least 70% of its surface, on the missing 30%, the pearl may have some slight concentrated imperfections with one or two deep imperfections tolerated. The pearl has an average lustre.

A “C category”, is a flawless pearl on at least 40% of its surface, on the missing 60%, the pearl may have some slight concentrated imperfections with a 10% of deep imperfections tolerated. The pearl has a minimum average lustre.

A “D category” is a pearl having slight flaws on at least 60% of its surface, with a minimum tolerance of at least 20% of deep imperfections and/or white punctures. The pearl has a poor lustre.

The Tahiti Cultured Pearl consists of thick pearly layers containing organic substances and calcium carbonate in the form of aragonite. Most commonly, these layers are referred to as nacre. They are best known for their diversity of size, shape, quality and many shades of natural colours, ranging from pale grey to anthracite black. The trade designation “Tahiti Cultured Pearl” is reserved exclusively for cultured pearls obtained from the Pinctada margaritifera pearl oyster, cumingii variety, found in French Polynesia. Such pearls must exhibit a continuous pearly layer over at least 80 % of the pearl surface and cannot reveal the underlying nucleus. The remaining surface of the nucleus, that is at most 20 %, is made out of a natural substance secreted by the Pinctada margaritifera pearl oyster, cumingii variety, such as calcite or an organic material.

By definition, this pearl is entire. Its pearl layer has a sufficient thickness, which does not make the nucleus appear, even by transparency. Since 1st July 2002, the legal thickness of the nacre layer between the nucleus and the external surface must be at least 0,8 mm thick. Any pearls that do not satisfy these criteria may not be called a “Tahiti Cultured Pearl” and will be deemed as reject. A reject, even produced in French Polynesia by the pearl oyster Pinctada margaritifera var. cumingii is:

– a cultured pearl presenting either calcite layers, or organic layers, or both, on more than20% of its surface;
– a cultured pearl presenting devitalised areas visible on more than 20% of its surface;
– a pearl that does not present the regulate thickness; – a pearls whose nucleus is visible to the naked eye.
Both commercialisation and exportation of rejects are prohibited in French Polynesia.

Discover Collection

Explore our range of Tahitian pearls, each selected for its unique color, lustre, and natural elegance.

Featured Tahiti Pearls

Dark Green Tahiti Pearls

14.6mm x 16.7mm
Total Weight 142.7 gr

Qty 27 Pearls

Peacock Cherry Tahiti Pearls

14.6mm x 16.7mm
Total Weight 142.7 gr
Qty 27 Pearls

Multi-colored Tahiti Pearls

14.6mm x 16.7mm
Total Weight 142.7 gr
Qty 27 Pearls

GALLERY

Videos

Robert Wan Pearl Talk

Josh Bazar sits down with Robert Wan and talks about the beauty of black pearls.

The Tahitian Pearl

Designed and finished with precise attention to detail.

The Story of the Tahitian Pearl

Learn more about the Tahitian Black Pearls by watching this interesting documentary.

We meet with clients by appointment only. 

Appointments must be scheduled in advance. Please call or email us for a suitable date.

Company

PEL Pte Ltd.

Phone

(65) 9639-1898

Email

contact@tahitianpearls.com.sg

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